This engagement with corporate generative AI exposes its constraints by probing its refusals to depict certain penetrabilities: the cell invaded by a virus, the US/Mexico border crossed, the mouth opened to a tongue, the skin pierced by a syringe. These omissions, shaped by the cultural and geopolitical biases embedded in prompts and datasets, generate distortions-feverish, sensorial images where love, sexuality, and the death drive converge. The imagery is further altered through custom computational tools for audiovisual signal processing.
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